June 26, 2022




4 min read

BOOK REVIEW EDITOR ELLA KELLEHER WRITES – What precisely is the ‘self,’ and the way can it’s outlined? From trendy psychology, we all know that human minds may be usurped via drastic strategies equivalent to brainwashing, manipulation, and even hypnosis. Elusive and slippery in nature, the malleable ‘self’ varieties and reforms in response to social interplay and particular person encounters. The reply that enigmatic creator Fuminori Nakamura provides us is fully unsettling: “Below a specific set of circumstances, it turns into inconceivable to inform.” In different phrases, there is no such thing as a ‘self’ as a result of there is no such thing as a true ‘particular person’ to start with.

Writer Fuminori Nakamura

Fuminori Nakamura’s newest work, My Annihilation (2022), is a thriller that descends from an extended line of “delinquent novels” – works of fiction that refuse to abide by a standard construction and focus relatively on the existential. The story begins with an unnamed narrator who uncovers a manuscript in one of many rooms of a distant mountain lodge. The textual content was written by a person named Ryodai Kozuka, whose identification the narrator needs to overhaul. Nonetheless, the novel’s deliberate disdain of linear storytelling means that the reality won’t be what the reader is led to imagine.

The primary few pages delve into Kozuka’s darkish previous. We study his violence and contempt for his youthful sister, his Oedipean ideas towards his mom, and his simultaneous want to hurt everybody round him. The unique narrator will get misplaced within the murky spiral of Kozuka’s confessional writings, by no means once more to resurface as a transparent and distinct character. Kozuka’s personal crimes turn out to be infused together with his near-clinical examination of Tsutomu Miyazaki, a real-life Japanese serial killer executed in 2008 for the kidnapping and homicide of 4 younger ladies.

My Annihilation – $25.95 – Soho Crime – 265 pages

Who, then, is the true narrator of this story? May it’s the unnamed man within the mountain lodge who stumbles upon the manuscript? Is it Ryodai Kozuka himself? Or does the story as a substitute concentrate on Miyazaki? There isn’t any clear reply. Nakamura’s dizzying novel helixes into an online of disillusionment and confusion. All plotlines are expertly weaved collectively by Nakamura himself and translator Sam Bett to create a narrative of a lot larger that means: the varied darkish tales in Nakamura’s e-book exist to show to the reader the lack of the human psyche to separate actuality from fantasy. The query will not be what we are able to perceive or understand as an goal reality. The query is, “who actually am ‘I’?”

In a single twist of the plot, the mysterious narrator falls in love with a traumatized younger lady named Yukari. Having a historical past of incest, suicide, and substance abuse led Yukari down a disastrous path of psychological sickness. In search of some type of psychological solace, she stumbles upon the narrator, who we’re instructed is a licensed psychiatrist. In pained desperation at his lover’s distress, the narrator lamentingly asks, “Why do now we have to undergo like this? Why should we endure such ache?” Because the narrator fruitlessly tries to erase Yukari’s reminiscences via electrical shock remedy, hypnosis, and even romantic manipulation, he realizes that it doesn’t matter what, the dangerous reminiscences will all the time one way or the other resurface. By way of this tragic relationship, the reader garners a chunk of Aristotelian knowledge: “‘Even gods can not change the previous.’” Essentially the most impressionable elements of our previous, which are typically our traumas, type the inspiration of who we turn out to be.


Highly effective, unpredictable tales enable for the inconceivable to happen. They let readers inhabit the physique and minds of others to really feel exterior the standard. In an identical method to the narrator’s brainwashing of Yukari, readers persuade themselves out of their very own realities to consolation the darkness infiltrating their lives. That is the place Nakamura stumbles into grey-scaled moral territory – one the place Nakamura tilts his glass to the reader and dares them to attempt to reply his conundrum: What’s the distinction, if there may be one, between ache and pleasure? When does an harmless white lie turn out to be a essential countermeasure to a crueler reality? Can the ‘self’ imply something in any respect if it may be readily annihilated? Nakamura’s philosophical brilliance shines via every web page of his newest sadistic, genius thriller.


Former LMU English Honors Graduate Ella Kelleher is the e-book evaluate editor-in-chief and a contributing employees author for Asia Media Worldwide. Her English research featured a focus in multi-ethnic literature.

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